Archive for June, 2008

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Eight days…

June 27, 2008

 

…’til I leave Melbourne on the midnight plane and arrive in (I’ve been told) extremely hot Brunei for three weeks. It feels slightly surreal, maybe because of the fact that I usually don’t go back home for the winter holidays, and also because of everything that has been happening in the first half of this year.

It feels like it’s been an extremely long six months; I confess that although I will definitely miss someone (you know who you are :P ), a part of me is looking forward to just getting away and having a break from everyone and everything here, and be home, surrounded by familiar sights and faces I have grown up with, the comforts of home, and simply catching up with close and good friends, and hopefully forge stronger friendships during the three weeks as well. And it’ll be good to have this brief respite too, especially since I did come back to Melbourne early in January this year.

 

It’s almost the end of June. Half a year has already flown by.

Tempus fugit. We don’t cherish our time, our youth and moments as much as we ought to; yet we keep running after Time, sometimes finding ourselves desperately chasing her back into the past for lost moments and regrets, and pursuing her into the future incessantly, as we run away from the present, where too late, we realize we’re grasping at emptiness, even as she flees from us…

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O Bacchus

June 23, 2008

It is rare for me – or probably anyone else for that matter – to indulge in a jovial moment of laughter and actually feel amused at a piece of information in the course of research for an essay.

What I mean is: I’ve been working on my final music history essay, and basically it was a free topic, so obviously I chose a topic which I was interested in. (Although that sucks too, because you don’t really know what to write about, even though you’ve chosen the topic. Nothing comes for “free”, does it?) And while that topic is interesting to read and study about, the research has been a real pain and headache. :(

I won’t go into too much musical jargon here, but my topic is about satire in medieval manuscripts, and a bit of focus on the secular and sacred in the Middle Ages. So, anyway, if you know the Lord’s Prayer, look at this bastardization:

Father Bacchus who art in cups, hallowed be good wine. Thy ruination come. Thy turmoil be done in the cup as it is in the tavern. Give us this day our daily drink. And send forth our cups to us as we send forth to our fellow drinkers. And lead us not into drunkenness, but do not deliver us from wine.

I literally LOL-ed when I read it. Basically, a common device of satire in poems and lyric songs of the Middle Ages was the deification of wine and drinks as god, as a way to mock the Church and its liturgical practices (Bacchus was a common name for Drink, in place of Deus, for God – a Latin wordplay). I think those clerics back in the Middle Ages certainly had more fun than we do have now. Don’t you just love this Drinker’s Prayer? :P

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Four hands

June 11, 2008

Mozart symphony

This afternoon, I had another rehearsal again with my duet partner. Our exam is on Friday morning, and we’ve finally got about everything together. But this afternoon’s practice left me feeling really tired and demoralized and simply… sien-ed. Maybe it was just me having an off day or something, or “it’s that time of the month“, but I just felt really tired and was in a “can’t-be-bothered-to-listen-to-you” mood when we worked through certain passages, and when she proffered advice on what to do in my part. For goodness’ sake, I know.

Maybe it’s just me. I don’t like taking criticism if I can help it, but I accept it if I must, and especially if it’s constructive and it helps me improve. I’m not that petty that I refuse all kinds of advice. But anyway, it tired me, because, simply put, I already know what I’m supposed to do, and I really do not need to keep hearing her reminding/telling me. But maybe it’s not just me – maybe it’s just that… well, we’re both pianists.

Doing piano duet this semester has really made me realize a lot of things: pianists are really quite individualists. We like to do things “my way“. We bring our own interpretations and ideas to a piece that we’re playing, and we have to convince the audience that it’s an excellent performance. We’re loners in that aspect, and deep down, we are egoists, and like to think that we’re better than that previous pianist who “didn’t do all that well on that Rachmaninoff prelude” (“I think I could have done better“). If working on a piece by yourself already makes you feel like driving a sledgehammer into the piano, then you can imagine how a duet would work out. Two pianists working together can turn the environment into quite a volatile one.

Not that I’ve had any arguments or fights with my partner; even though we don’t voice it out, I think we can feel that tension sometimes as we discuss bar 243, how we should play a particular passage -

“I feel that it should crescendo here, and as you move into this bar, then diminuendo“.

“Mmm… I get what you mean…”

(Here’s where I think to myself “…but”)

“…but I’m thinking that this is actually really just one phrase, so … ” etc. etc.

It’s a lot of give and take, and listening to each other, and deciding what sounds better. Tempo is another thing. (Okay, I concede that she was right in that the tempo of the third movement should be dictated by the Trio section.) But anyway, it can get quite challenging. Then there’s the idea of … well, it’s not just “two hands” anymore, it’s “four hands”. And “four hands” is simply just not the same as “two hands”. My right hand is technically not “the” right hand anymore. Listening to each other, and getting the balance right… playing it “together”, like, really TOGETHER. There’s no “me” in piano duet. It’s “we”. And I think that can be harder to grasp when both are pianists, because we automatically want to show that we’re better than the other.

There’s so much to do. A two-hour rehearsal leaves my brain feeling drained and I just feel really mentally exhausted afterwards, and not want to do anything else for the rest of the day.

After our rehearsal today, which felt worse to me, as opposed to the really good one we had a day ago, I left, and went to another room to practice my Bach and Moscheles study for my own practical exam, which was what I had planned. But the piano in the room I went into was out of tune, and I can’t take it when I hear an out-of-tune piano, because it just feels so jarring and puts me in a “GAAAHH-I-WANT-TO-SMASH-THIS-KEYBOARD-and-make-it-in-tune” mood, and THAT put me OUT OF TUNE literally, because I’m not a piano tuner and I can’t make it IN tune. I stopped playing my Bach prelude and felt irritated.

So I gave up and left the building altogether.

Blah.

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Miracle

June 6, 2008

Since it’s exam period, OCF activities are pretty low-key for this month. We watched a couple of videos tonight – “Indescribable” and “How Great Is Our God”, both given by Louie Giglio. Indescribable, in a nutshell, was about the glory of God reflected in the amazing universe, and the fact that we are really nothing but a “mote of dust” in the grand scheme of the universe. How Great Is Our God was something like that, except that it went the other way, into the human body.

I’ve heard both sermons before – Indescribable at the Hillsong Conference in Sydney last year, and my housemate Lydia borrowed How Great Is Our God from Steven a few months ago. It was nice to hear both sermons again, and a good reminder of God’s glory and grace, but it was the bit where Louie was telling the congregation about how the fact that we were all miracles, each of us sitting there. I was reminded of this particular passage I had read in – of all books, The Solitaire Mystery, by Jostein Gaarder. He’s the author of the famous Sophie’s World, and is known for exploring philosophical themes and ideas in his books.

So anyway, if memory serves me well (I read Solitaire Mystery almost three years ago), Solitaire Mystery is about a young boy named Hans Thomas and his dad who are going on a trip to look for his mother. Basically, the book is a “story within a story” plot, but the gist of it is just the conversations and exchange of banter between father and son as they discuss about everything under the sun.

I think the passage speaks for itself. This is nearing the end of the book, and the conversation between Hans and his dad here is basically about the nature of existence.

We had just passed Ravenna when I asked, ‘Do you believe in coincidences, Dad?’

He looked at me in the mirror. ‘Do I believe in coincidences?’

‘Yeah!’

‘But a coincidence is something which happens totally coincidentally. When I won ten thousand crowns in the lottery, my ticket was pulled out of thousands of other tickets. Of course I was happy with the result, but it was sheer luck that I won.’

‘Are you sure about that? Have you forgotten we found a four-leaf clover that morning? And if you hadn’t won the money, we might not have been able to afford the trip to Athens.’

He just grunted, but I continued. ‘Was it just as coincidental that your aunt travelled to Crete and suddenly discovered Mama in the fashion magazine? Or was that intended?’

‘You’re asking me whether I believe in fate,’ he said. I think he was pleased his son was interested in philosophical questions. ‘The answer is no.’

I thought about the girl glassblowers – and the fact that I had visited a glass workshop just before I read about the glass workshop in the sticky-bun book. Moreover, I thought about the dwarf who’d given me a magnifying glass just before I got a book with tiny writing, and about what happened when Grandma’s bike got a flat tyre at Froland – and everything that followed.

‘I don’t think you can call it a coincidence that I was born,’ I said.

‘Cigarette stop!’ Dad announced. I must have said something which made one of his mini-lectures shoot out from the filing cabinet.

He parked on a hill with a splendid view over the Adriatic.

‘Sit down!’ he ordered when we were out of the car, and pointed to a large stone.

‘Thirteen forty-nine,’ was the first thing he said.

‘The Black Death,’ I replied. I had a pretty good knowledge of history, but I had no idea what the Black Death had to do with coincidences.

‘Okay,’ he said, and off he went. ‘You probably know that half Norway’s population was wiped out during the great plague. But there’s a connection here I haven’t told you about.’

When he began like this, I knew it was going to be a long lecture.

‘Did you know that you had thousands of ancestors at that time?’ he continued.

I shook my head in despair. How could that possibly be?

‘You have two parents, four grandparents, eight great-grandparents, sixteen great-great-grandparents – and so on. If you work it out, right back to 1349, there are quite a lot.’

I nodded.

‘Then came the bubonic plague. Death spread from neighbourhood to neighbourhood, and the children were hit worst. Whole families died, sometimes one or two family members survived. A lot of your ancestors were children at this time, Hans Thomas. But none of them kicked the bucket.’

‘How can you be so sure about that?’ I asked in amazement.

He took a drag on his cigarette and said, ‘Because you’re sitting here looking out over the Adriatic.’

Once again he had made such an astounding point I didn’t really know how to respond. But I knew he was right, because if just one of my ancestors had died as a child, then he wouldn’t have been my ancestor.

‘The chances of one single ancestor of yours not dying while growing up is one in several billion,’ he went on, and now the words flowed out of him like a waterfall. ‘Because it isn’t just about the Black Death, you know. Actually all your ancestors have grown up and had children – even during the worst natural disasters, even when the child mortality rate was enormous. Of course, a lot of them have suffered from illness, but they’re always pulled through. In a way, you have been a millimetre from death billions of times, Hans Thomas. Your life on this planet has been threatened by insects, wild animals, meteorites, lightning, sickness, war, floods, fires, poisoning, and attempted murders. In the battle of Stiklestad alone you were injured hundreds of times. Because you must have had ancestors on both sides – yes, really you were fighting against yourself and your chances of being born a thousand years later. You know the same goes for the last world war. If Grandpa had been shot by good Norwegians during the occupation, then neither you nor I would have been born. The point is, this has happened billions of times through history. Each time an arrow has rained through the air, your chances of being born have been reduced to the minimum. But here you are, sitting talking to me, Hans Thomas! Do you see?’

‘I think so,’ I said. At least I think I understood how important it was that Grandma got a flat tyre at Froland.

‘I am talking about one long chain of coincidences,’ Dad continued. ‘In fact, that chain goes right back to the first living cell, which divided in two, and form there gave birth to everything growing and sprouting on this planet today. The chance of my chain not being broken at one time or another during three or four billions years is so little it is almost inconceivable. But I have pulled through, you know. Damn right, I have. In return, I appreciate how fantastically lucky I am to be able to experience this planet together with you. I realise how lucky every single little crawling insect on this planet is.’

‘What about the unlucky ones?’ I asked at this point.

‘They don’t exist!’ he almost roared. ‘They were never born. Life is one huge lottery where only the winning tickets are visible.’

When I read that three years ago, I was blown away at the end of the chapter and had to put down the book and just thought about what I read. In fact, there were many points throughout the book that did that to me.

When you think about it, it IS really quite amazing how you (yes, YOU) got here, this moment in time, right now, as you are sitting there reading this. God knows how many family lines have ended, but yours happened to have survived; your ancestor may have survived by just this little bit, and the fact that you are here is a miracle.

I love that bit in the passage above when Hans’ father talks about how we have really been fighting our whole lives to get to where we are now – so many things threatened to kill us – the turmoils of wars, natural disasters, diseases, etc. And if even one ancestor had “kicked the bucket”, we wouldn’t be here right now.

And when you think about it, that little bit of perspective can really just help to put everything back in its place, especially when we start feeling down and wallow in that selfish dark hole of self-pity and self-induced misery. We will realize that life isn’t worth brooding away, especially when we have so much to live for. And then when we see how small we really are in the grand scheme of life, we will realize that, suddenly, it’s not about “me” anymore.

It never was.

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Of the past two days

June 5, 2008

I was contemplating doing a similar post to show what I bought at the one day sale which Country Road held, but then thought… nahhhh, can’t be bothered. Anyway, the sale was on Tuesday, and it was just “okay”… I met up with Samantha and Bronwyn first, at around 9.30 a.m. They had been browsing around since early morning. I met them outside David Jones on Bourke Street, but the Country Road there was apparently disappointingly limited, so we headed over to the one at Melbourne Central. Browsed around there for a bit, then wandered next door to Crabtree & Evelyn, where certain items were on sale as well, but there wasn’t anything really worth buying. In the end, they had to go home to welcome their new washing machine, and I joined Andrea, Genia and Tim who came at 10. Shihan, Ka Faii and Yon How came a bit later.

Towards the end, this really cute crop stitch cardigan caught my eye. It was actually out of place, hanging with other clothes, and I decided to search for it… With my luck, I grabbed hold of the final XS, and decided to buy it after much contemplation (and input from the others). Genia lent me her Country Road card, so I actually had a 75% discount!! We went for a late breakfast afterwards at the cafe at the State Library. They have great breakfast items, but it’s really overpriced.

And thus concludes my shopping excapades.

Went for Guys and Dolls tonight – Tiong was right, it’s more fun and enjoyable entertainment than anything else. Songs and music are catchy, but not particularly memorable. The dance sequences and choreography were amazing though, and the music does want to make you tap and swing along to it! All in all, really enjoyable, with a rather straightforward but cute plotline. It’s not hard to see why this musical is still going strong, even after more than fifty years since its debut. And also, I finally watched a musical with a happy ending, especially after watching Miss Saigon and Phantom last year. Lol.

Wicked is opening next month, and I can’t wait for that one!

Okay. Off I go. Semester is officially over, and I REALLY need to start researching on my essay. Exams begin next week. I’m still not feeling the stress and urgency yet. Which may or may not be good, depending on how you look at it. =/